"Four Orchestral Pieces Op. 12 (Sz 51): IV. Marcia funebre: Maestoso" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1993. With this song being about 5 minutes long, at 4:57, "Four Orchestral Pieces Op. 12 (Sz 51): IV. Marcia funebre: Maestoso" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 9 in Bartók: Concerto for Orchestra; Orchestral Pieces, Op. 12 by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Four Orchestral Pieces Op. 12 (Sz 51): IV. Marcia funebre: Maestoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Four Orchestral Pieces Op. 12 (Sz 51): IV. Marcia funebre: Maestoso by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1, BB 91, Sz. 83: II. Andante | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
Symphony No. 5 In B-Flat, Op. 100: 4. Allegro giocoso | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 131 BPM | ||
Piano Quintet, BB 33: Vivace - Scherzando | Béla Bartók, Kodály Quartet, Jenő Jandó | G Minor | 3 | 6A | 121 BPM | ||
A Faust Symphony, S.108: 2. Gretchen | Franz Liszt, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 1 | 8B | 80 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM |