"Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod)" by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis had its release date on July 1, 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Wesendonk Lieder; Tristan & Isolde: Prelude & Liebestod by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis. The song's track number on the album is #2 out of 7 tracks. Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod) by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod) being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
War Requiem, Op. 66: vi. Dies Irae - "Bugles sang, saddening the evening air" | Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra | B Minor | 0 | 10A | 71 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | G Major | 0 | 9B | 62 BPM | ||
Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
Puccini: Il tabarro: "O Michele? Michele?" (Giorgetta, Michele, Luigi, Il Tinca, Il Talpa, Chorus) | Giacomo Puccini, Carlo Guelfi/Neil Shicoff/Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/London Voices/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | G Minor | 2 | 6A | 112 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
Wagner: Tannhäuser, Act 3: "Innbrunst im Herzen" (Tannhäuser) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin | F Major | 1 | 7B | 77 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Chants d'Auvergne: 2. Bailero | Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 80 BPM |