"War Requiem, Op. 66: vi. Dies Irae - "Bugles sang, saddening the evening air"" by Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra had its release date on May 8, 2012. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. War Requiem, Op. 66: vi. Dies Irae - "Bugles sang, saddening the evening air"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 26 in Britten: War Requiem by Benjamin Britten, London Symphony Orchestra, Simon Keenlyside, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, Sabina Cvilak, Choir of Eltham College. War Requiem, Op. 66: vi. Dies Irae - "Bugles sang, saddening the evening air" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op. 66: vi. Dies Irae - "Bugles sang, saddening the evening air" by Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Ritual Action of the Ancestors (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Major | 0 | 10B | 133 BPM | ||
Requiem: XI. Domine Jesu Christe | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine Brewer | A♭ Major | 0 | 4B | 125 BPM | ||
Johnny: Tell me the truth about love | Benjamin Britten, Della Jones, Steuart Bedford | B♭ Major | 0 | 6B | 108 BPM | ||
Albert Herring, Op. 39: Act III: Threnody - In the midst of life is death | Benjamin Britten, Josephine Barstow, Susan Gritton, Della Jones, Felicity Palmer, Ann Taylor, Robert Lloyd, Peter Savidge, Gerald Finley, Christopher Gillett, Stuart Kale, Royal Northern Sinfonia, Steuart Bedford | F Major | 0 | 7B | 84 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Tempo I (Allegro, etwas hastig) | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | A♭ Major | 0 | 4B | 80 BPM | ||
Stabat Mater, FP 148: 11. Inflammatus et accensus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 2 | 1A | 86 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Puccini: La rondine, Act 2: "Nella dolce carezza della danza" (Magda, Ruggero, Chorus, Georgette, Gabriella, Lolette) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | F Minor | 1 | 4A | 173 BPM |