"Wagner: Tannhäuser, Act 3: "Innbrunst im Herzen" (Tannhäuser)" by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin had its release date on 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 61 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wagner: Tannhäuser, Act 3: "Innbrunst im Herzen" (Tannhäuser) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tannhäuser, Act 3: "Innbrunst im Herzen" (Tannhäuser) by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Messa da Requiem: XIV. Sanctus | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Macbeth, Act IV: Chorus. Patria oppressa | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | C Minor | 1 | 5A | 61 BPM | ||
Parsifal, Act I: Was stehst du noch da? - Live | Richard Wagner, Georg Zeppenfeld, Marie Henriette Reinhold, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Pablo Heras-Casado | A♭ Major | 1 | 4B | 75 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 107 BPM | ||
Strauss, R: 6 Lieder, Op. 56: No. 6, Die heiligen drei Könige (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 1 | 8B | 175 BPM | ||
Das himmlische Leben | Gustav Mahler, Anne Schwanewilms, Charles Spencer | E Minor | 1 | 9A | 108 BPM | ||
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM | ||
Carmina Burana: XVII. Stetit puella | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 80 BPM | ||
Verdi: Aida, Act 1:" Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Major | 1 | 9B | 77 BPM |