"Cello Concerto (Farewell to Philosophy): (Bar 1)" by Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd was released on April 18, 2020. Since Cello Concerto (Farewell to Philosophy): (Bar 1) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Work From Home with British Classics by Ralph Vaughan Williams, Gustav Holst, Edward Elgar. The song's track number on the album is #159 out of 186 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Cello Concerto (Farewell to Philosophy): (Bar 1) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Concerto (Farewell to Philosophy): (Bar 1) by Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cello Concerto (Farewell to Philosophy): (Bar 1) being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers for a New Dark Age: I. Wayward Free Radical Dreams | Missy Mazzoli, Victoire, Glenn Kotche | G Minor | 3 | 6A | 98 BPM | ||
Model 2 | Karlheinz Stockhausen, Electric Phoenix | E Minor | 0 | 9A | 87 BPM | ||
Organum: IV. Part 4 | Peter Michael Hamel | D Major | 0 | 10B | 140 BPM | ||
In a Landscape (1948) | John Cage, Stephen Drury | D Minor | 0 | 7A | 72 BPM | ||
the little match girl passion: we sit and cry | David Lang, Theatre Of Voices, Paul Hillier | B♭ Minor | 1 | 3A | 145 BPM | ||
The Sinking of the Titanic: Hymn VI, Last Hymn - Live | Gavin Bryars, Gavin Bryars Ensemble, Nick Barr, Morgan Goff, Nick Cooper | A♭ Major | 7 | 4B | 82 BPM | ||
Canticles of the Sky: I. Sky with Four Suns | John Luther Adams, Northwestern University Cello Ensemble, Hans Jørgen Jensen | G Major | 1 | 9B | 92 BPM | ||
Discreet Music, Pt. 1 | Brian Eno, Emma Zoe Elkinson, Dean Pomeroy, Contact | A♭ Major | 1 | 4B | 58 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | B Minor | 0 | 10A | 92 BPM | ||
Wild Grass II (for Robert Wyatt) | Arp, Anthony Moore | B♭ Major | 2 | 6B | 76 BPM |