"Kammermusik No. 5, Op. 36 No. 4: II. Langsam" by Paul Hindemith, Brett Dean, Queensland Symphony Orchestra, Werner Andreas Albert was released on January 1, 2000. Since Kammermusik No. 5, Op. 36 No. 4: II. Langsam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, Brett Dean, Werner Andreas Albert, Queensland Symphony Orchestra's "Hindemith: Orchestral Works" album is number 2 out of 16. Kammermusik No. 5, Op. 36 No. 4: II. Langsam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kammermusik No. 5, Op. 36 No. 4: II. Langsam by Paul Hindemith, Brett Dean, Queensland Symphony Orchestra, Werner Andreas Albert to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet In E Flat, Op.87, B. 162: 2. Lento | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | F♯ Major | 1 | 2B | 93 BPM | ||
String Quartet No. 16 in F Major, Op. 135: II. Vivace | Ludwig van Beethoven, Danish String Quartet | F Major | 2 | 7B | 92 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphonie Mathis der Maler: Finale | Jessica Buzbee, David Bobroff, Timothy Buzbee, Lee Rogers | E♭ Minor | 0 | 2A | 77 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | F Major | 0 | 7B | 76 BPM | ||
Oboe Concerto: 1. Moderato | Bohuslav Martinů, Heinz Holliger, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 81 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |