"Oboe Concerto: 1. Moderato" by Bohuslav Martinů, Heinz Holliger, Academy of St. Martin in the Fields, Sir Neville Marriner was released on May 1, 1993. With this song being about 5 minutes long, at 4:57, "Oboe Concerto: 1. Moderato" by Bohuslav Martinů, Heinz Holliger, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Heinz Holliger, Ursula Holliger, Aurèle Nicolet, Academy of St. Martin in the Fields, Sir Neville Marriner's "Honegger: Concerto da camera / Martinů: Oboe Concerto / Martin: Trois danses; Petite complainte; Pièce brève" album is number 11 out of 13. Oboe Concerto: 1. Moderato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto: 1. Moderato by Bohuslav Martinů, Heinz Holliger, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): V. Sicilienne - Allegretto molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Minor | 0 | 6A | 98 BPM | ||
Andante and Rondo Ungarese for Bassoon and Orchestra, Op.35 | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 174 BPM | ||
Symphony No. 3 in E flat, Op. 55 -"Eroica": 3. Scherzo (Allegro vivace) | Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 92 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Two Eligiac Melodies Last Spring | Academy of St. Martin in the Fields | G Major | 1 | 9B | 88 BPM | ||
Violin Concerto No. 9 in G Major, Op. 8: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Takako Nishizaki, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 1 | 9B | 127 BPM | ||
String Quartet No. 2 in D: Nocturne | Alexander Borodin, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 77 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM |