Alessandro Scarlatti, Niklas Eklund, Susanne Rydén, London Baroque, Charles Medlam's 'Del Tebro in su le sponde: III. Mesto, stanco e spirante - Infelici miei lumi - Die almeno' came out on January 21, 1998. Since Del Tebro in su le sponde: III. Mesto, stanco e spirante - Infelici miei lumi - Die almeno is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 17 out of 18 in Baroque Trumpet (The Art Of The), Vol. 3 by Susanne Rydén, Charles Medlam, London Baroque. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Del Tebro in su le sponde: III. Mesto, stanco e spirante - Infelici miei lumi - Die almeno is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Del Tebro in su le sponde: III. Mesto, stanco e spirante - Infelici miei lumi - Die almeno by Alessandro Scarlatti, Niklas Eklund, Susanne Rydén, London Baroque, Charles Medlam is Lento (slowly), since this song has a tempo of 52 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: IV. Largo | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | B Minor | 0 | 10A | 88 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Recorder Concerto in F Major: 1. Allegro | Giuseppe Sammartini, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | E Major | 2 | 12B | 123 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM |