Wolfgang Amadeus Mozart, Evelyn Lear, Berliner Philharmoniker, Karl Böhm's 'Die Zauberflöte, K. 620 / Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden"' came out on January 1, 1964. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm's "Mozart: Die Zauberflöte" album is number 17 out of 46. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Die Zauberflöte, K. 620 / Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Zauberflöte, K. 620 / Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden" by Wolfgang Amadeus Mozart, Evelyn Lear, Berliner Philharmoniker, Karl Böhm to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le nozze di Figaro, K. 492, Act III: Finale. Ecco la marcia | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Scottish Chamber Orchestra Chorus, Nuccia Focile, Carol Vaness, Alessandro Corbelli, Alastair Miles | F♯ Minor | 4 | 11A | 120 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Riposate, vezzose ragazze" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Konstantin Wolff, Mojca Erdmann, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin | A Major | 1 | 11B | 107 BPM | ||
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?" | Wolfgang Amadeus Mozart, Diana Damrau, Joyce DiDonato, Mojca Erdmann, Rolando Villazón, Konstantin Wolff, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 61 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Bald prangt, den Morgen zu verkünden" | Wolfgang Amadeus Mozart, Rosl Schwaiger, Antonia Fahberg, Evelyn Lear, Raili Kostia, Berliner Philharmoniker, Karl Böhm | G Major | 2 | 9B | 105 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | C Major | 1 | 8B | 81 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | C Major | 1 | 8B | 126 BPM | ||
Così fan tutte, K.588 / Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Lucia Popp, Brigitte Fassbaender, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
Requiem In D Minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann): Requiem (Introitus) - Live | Wolfgang Amadeus Mozart, Marie McLaughlin, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | G Minor | 2 | 6A | 67 BPM | ||
Die Zauberflöte, K.620, Act II: Seid uns zum zweiten Mal willkommen (Knaben) | Wolfgang Amadeus Mozart, Tölzer Knabenchor/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Minor | 1 | 5A | 86 BPM |