Wolfgang Amadeus Mozart, Diana Damrau, Joyce DiDonato, Mojca Erdmann, Rolando Villazón, Konstantin Wolff, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin's 'Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?"' had a release date set for January 1, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 17 out of 53. On top of that, Germany appears to be the country where this track was created. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?" by Wolfgang Amadeus Mozart, Diana Damrau, Joyce DiDonato, Mojca Erdmann, Rolando Villazón, Konstantin Wolff, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: I puritani, Act 2: "O rendetemi la speme" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | B♭ Major | 5 | 6B | 140 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM | ||
Così fan tutte, K. 588 / Act II: "Prenderò quel brunettino" | Wolfgang Amadeus Mozart, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 61 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
Requiem in D minor, K.626: 3. Sequentia: Tuba mirum | Wolfgang Amadeus Mozart, Robert Lloyd, Francisco Araiza, Sylvia McNair, Carolyn Watkinson, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 66 BPM | ||
La traviata / Act 2: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 88 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Gott! - Welch Dunkel hier! | Ludwig van Beethoven, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 0 | 4B | 83 BPM | ||
Le Nozze di Figaro, Act 2: Susanna, or via, sortite | Wolfgang Amadeus Mozart, Kathleen Battle, Riccardo Muti, Wiener Philharmoniker | C Major | 2 | 8B | 129 BPM | ||
Vives: Doña Francisquita, Act II No. 9, Romanza: Por el humo se sabe dónde está el fuego | Amadeo Vives, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid | E♭ Major | 3 | 5B | 80 BPM | ||
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track | Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | F Major | 3 | 7B | 137 BPM |