"3 Sechsstimmige Chöre, Op. 39: No. 2, Abendlied" by Max Reger, Bundesjugendchor, Anne Kohler was released on May 10, 2024. With this song being about 5 minutes long, at 4:52, "3 Sechsstimmige Chöre, Op. 39: No. 2, Abendlied" by Max Reger, Bundesjugendchor, Anne Kohler is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Reger: 3 Sechsstimmige Chöre, Op. 39: No. 2, Abendlied only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Based on our statistics, 3 Sechsstimmige Chöre, Op. 39: No. 2, Abendlied's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Sechsstimmige Chöre, Op. 39: No. 2, Abendlied by Max Reger, Bundesjugendchor, Anne Kohler having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Suite Nordestina: III. Bumba chora | Ronaldo Miranda, Cheng Man Wai, Cantoría Hong Kong, John Winzenburg | B♭ Minor | 1 | 3A | 76 BPM | ||
Regina caeli: I. Regina caeli laetare | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM | ||
Vespers (All-Night Vigil), Op. 37: XII. Glory to God in the Highest | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | C Minor | 0 | 5A | 133 BPM | ||
Considering Matthew Shepard: Passion, 24. Gently Rest (Deer Lullaby) | Craig Hella Johnson, Conspirare | B Major | 0 | 1B | 109 BPM | ||
Veni, Emmanuel | Valter Maasalo, Lumen Valo | E Major | 1 | 12B | 85 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Concordes adhibete animos - de Rore | Cipriano de Rore, Dionysos Now, Tore Tom Denys | F Major | 3 | 7B | 103 BPM | ||
Elias, Op. 70: Teil II: Seraphim standen über ihm... Heilig ist Gott der Herr | Felix Mendelssohn, Thomas Hengelbrock | C Major | 2 | 8B | 78 BPM | ||
Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM |