"Regina caeli: I. Regina caeli laetare" by Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz was released on April 5, 2024. The duration of Regina caeli: I. Regina caeli laetare is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Regina caeli: I. Regina caeli laetare's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in El León de Oro, George de La Hèle, Peter Phillips, Pierre de Manchicourt, Marco Antonio García de Paz, Nicolas Payen, Philippe Rogier's "La Hèle: Missa Praeter rerum seriem & Works by Manchicourt, Payen & Rogier" album is number 12 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Regina caeli: I. Regina caeli laetare's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Regina caeli: I. Regina caeli laetare by Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiphona Et Canticum: Zachaée, Modo VIII. Benedictus, Tono VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | E Minor | 1 | 9A | 73 BPM | ||
Consommo la vita mia | Johannes Prioris, The Gesualdo Six, Owain Park | B♭ Major | 0 | 6B | 68 BPM | ||
Messa a quattro voci, SV 190: II. Gloria | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
And There Was War in Heaven | Howard Skempton, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 128 BPM | ||
3 Love Songs: No. 1. To Love and be Beloved | Mike Dixon, Chantage, James Davey | B♭ Major | 1 | 6B | 139 BPM | ||
Ave, carmina milia | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | D Minor | 0 | 7A | 79 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He sent a thick darkness over all the land (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Troparion: O Theotokos | Timo Ruottinen, Tampere Orthodox Choir | D Major | 1 | 10B | 135 BPM |