"Balletti lamentabili á 4, C 59: III. Sarabande" by Heinrich Ignaz Franz von Biber, Klingzeug Barockensemble was released on October 1, 2021. The duration of Balletti lamentabili á 4, C 59: III. Sarabande is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Balletti lamentabili á 4, C 59: III. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Klingzeug Barockensemble's "Memento Mori" album is number 6 out of 19. On top of that, Sweden appears to be the country where this track was created. The popularity of Balletti lamentabili á 4, C 59: III. Sarabande is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Balletti lamentabili á 4, C 59: III. Sarabande by Heinrich Ignaz Franz von Biber, Klingzeug Barockensemble to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Concerto in C Minor, Op. 3 No. 2: I. Andante - Capriccio | Pietro Locatelli, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 2 | 10A | 124 BPM | ||
L’amant malheureux | Jacques Gallot, Lucas Harris | A♭ Minor | 0 | 1A | 80 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Mystery (Rosary) Sonata No. 6, "Christ on the Mount of Olives"*: II. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D Major | 1 | 10B | 110 BPM | ||
Violin Sonata in D Major, Op. 4, No. 1: I. Adagio | Francesco Geminiani, Lyriarte | D♭ Major | 1 | 3B | 102 BPM | ||
Violin Concerto in G Minor, JunP I. 1: I. Largo e staccato | Johann Georg Pisendel, Dmitry Sinkovsky, Il Pomo D'oro | F♯ Minor | 0 | 11A | 98 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM |