"Mass in B Minor, BWV 232: Benedictus (Tenor)" by Johann Sebastian Bach, Nick Pritchard, English Baroque Soloists, John Eliot Gardiner was released on November 6, 2015. Mass in B Minor, BWV 232: Benedictus (Tenor) is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "J.S. Bach: Mass in B Minor, BWV 232" album is number 11 out of 25. In terms of popularity, Mass in B Minor, BWV 232: Benedictus (Tenor) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in B Minor, BWV 232: Benedictus (Tenor) by Johann Sebastian Bach, Nick Pritchard, English Baroque Soloists, John Eliot Gardiner to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria in D, R.589: 8. Domine Deus, Agnus Dei | Antonio Vivaldi, Carolyn Watkinson, Academy of Ancient Music, Simon Preston | D♭ Minor | 0 | 12A | 70 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 90 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Tilge, Hochster, meine Sunden (Soprano, Alto) | Johann Sebastian Bach, Monika Frimmer, Kai Wessel, Munich Neue Hofkapelle, Christian Brembeck | F Minor | 2 | 4A | 151 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Judas Maccabaeus: Act 3. Duet: O lovely peace | George Frideric Handel, Philharmonia Baroque Orchestra, Lisa Saffer, Nicholas McGegan, Patricia Spence | F♯ Major | 0 | 2B | 170 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 61a. Evangelista, Jesus "Und von der sechsten Stunde" - 61b. Chorus I "Der rufet dem Elias" - 61c. Evangelista "Und bald lief einer unter ihnen" - 61d. Chorus II "Halt, laß sehen" - 61e. Evangelista "Aber Jesus... | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Franz-Joseph Selig, Ian Bostridge | G Major | 0 | 9B | 74 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |