"Gloria in D, R.589: 8. Domine Deus, Agnus Dei" by Antonio Vivaldi, Carolyn Watkinson, Academy of Ancient Music, Simon Preston was released on January 1, 1997. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: Gloria/Nisi Dominus/4 Cantatas etc. by Antonio Vivaldi, Emma Kirkby, Catherine Bott, Judith Nelson, James Bowman, Carolyn Watkinson, Simon Standage, Catherine Mackintosh, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston, Christopher Hogwood. The song's track number on the album is #8 out of 30 tracks. Gloria in D, R.589: 8. Domine Deus, Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gloria in D, R.589: 8. Domine Deus, Agnus Dei by Antonio Vivaldi, Carolyn Watkinson, Academy of Ancient Music, Simon Preston has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Gloria in D, R.589: 8. Domine Deus, Agnus Dei being at 70 テンポ, the half-time would be 35 テンポ with a double-time of 140 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacrum, R.586 - rev. Franz Giegling: 2c Gloria: (Allegro non molto) Laudamus te | Antonio Vivaldi, Margaret Marshall, Anne Collins, Robert Holl, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | G Major | 2 | 9B | 80 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 130 BPM | ||
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pedes. Sonata | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Minor | 1 | 5A | 98 BPM | ||
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
King Arthur: Act V, sc.2: Chaconne | Henry Purcell, The Deller Consort and Choir, Continuo, The King’s Musick, Alfred Deller | E Major | 1 | 12B | 75 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Service In B Flat (Z.230): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM |