"Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel. Allegro moderato" by Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin was released on May 19, 2023. Since Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Bruch: Violin Concerto No. 1; Florence Price: Violin Concertos by Randall Goosby, Max Bruch, Philadelphia Orchestra, Florence Beatrice Price, Yannick Nézet-Séguin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel. Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel. Allegro moderato by Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet No. 3, Op. 97: III. Larghetto | Antonín Dvořák, Jerusalem Quartet, Veronika Hagen | A♭ Minor | 1 | 1A | 114 BPM | ||
String Octet in B-Flat Major: II. Adagio | Max Bruch, Zsolt Fejervari, Kodály Quartet, Auer String Quartet | A Minor | 3 | 8A | 136 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Symphony No. 2 in C Major, Op. 61: II. Scherzo. Allegro vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | D Major | 2 | 10B | 110 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | C Major | 2 | 8B | 85 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato | Max Bruch, Yehudi Menuhin, Charles Münch | E♭ Major | 3 | 5B | 130 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A Major | 0 | 11B | 60 BPM |