"Aniara: Act I Scene 3: Interlude: Vi börjar långsamt ana att den rymd" by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg was released on January 1, 2002. With this song being about 5 minutes long, at 4:39, "Aniara: Act I Scene 3: Interlude: Vi börjar långsamt ana att den rymd" by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 42 in Aniara by Karl-Birger Blomdahl, Stig Westerberg. In terms of popularity, Aniara: Act I Scene 3: Interlude: Vi börjar långsamt ana att den rymd is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aniara: Act I Scene 3: Interlude: Vi börjar långsamt ana att den rymd by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 81 BPM | ||
I speglarnas sal (In the Hall of Mirrors): 4th Movement | Karl-Birger Blomdahl, Margareta Hallin, Barbro Ericson, Sven-Erik Vikstrom, Anders Näslund, Bengt Rundgren, Swedish Radio Choir, Royal Stockholm Philharmonic Orchestra, Sixten Ehrling | C Major | 0 | 8B | 114 BPM | ||
Fauré: 3 Songs, Op. 7: No. 1, Après un rêve, "Dans un sommeil que charmait ton image" (Andantino) | Gabriel Fauré, Véronique Gens/Roger Vignoles | F Minor | 0 | 4A | 122 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (f) Etwas bewegter (Alto, Soprano, Chorus) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 0 | 4A | 145 BPM | ||
Debussy: La Mer, CD 111, L. 109: II. Jeux de vagues | Claude Debussy, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 1 | 2B | 114 BPM | ||
Götterdämmerung, WWV 86D, Act III: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 64 BPM | ||
The Rake's Progress / Act 1/Scene 1: "The woods are green" | Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | A Major | 2 | 11B | 94 BPM |