"evening morning day" by David Lang, Ars Nova Copenhagen, Paul Hillier was released on May 12, 2009. Since evening morning day is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in David Lang, Theatre Of Voices, Paul Hillier, Ars Nova Copenhagen's "Lang: The Little Match Girl Passion" album is number 18 out of 19. evening morning day is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of evening morning day by David Lang, Ars Nova Copenhagen, Paul Hillier to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
the little match girl passion: we sit and cry | David Lang, Theatre Of Voices, Paul Hillier | B♭ Minor | 1 | 3A | 145 BPM | ||
and the swallow | Caroline Shaw, Ars Nova Copenhagen, Paul Hillier | B♭ Minor | 1 | 3A | 116 BPM | ||
Flowering Jasmine | Georgs Pelēcis, Gidon Kremer | A Minor | 0 | 8A | 135 BPM | ||
Charades | Balanescu Quartet | C Major | 2 | 8B | 100 BPM | ||
Four Hands | Nils Frahm | B♭ Minor | 2 | 3A | 51 BPM | ||
Valuska - From "Werckmeister Harmóniák" | Víg Mihály | E♭ Minor | 1 | 2A | 142 BPM | ||
5e livre de viole: Prélude en harpègement: rondement | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 98 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
The Things Left Unsaid | Caleb Burhans, Tarab Cello Ensemble | A Minor | 0 | 8A | 80 BPM | ||
Gymnopedie No. 1 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | G Major | 0 | 9B | 69 BPM |