"Royal Palace, Op. 17: Wir mussen aber Orangeade trinken! (The Husband, Female Voice on the Lake, Dejanira, The Beloved of Tomorrow, Soprano, The Lover of Yesterday)" by Kurt Weill, Janice Watson, Stephen Richardson, Ashley Holland, Richard Coxon, Timothy Robinson, Jeremy White, Camilla Tilling, BBC Singers, BBC Symphony Orchestra, Andrew Davis was released on January 1, 2004. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weill, K.: Royal Palace [Opera] by Kurt Weill, Andrew Davis. The song's track number on the album is #3 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. Royal Palace, Op. 17: Wir mussen aber Orangeade trinken! (The Husband, Female Voice on the Lake, Dejanira, The Beloved of Tomorrow, Soprano, The Lover of Yesterday) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Royal Palace, Op. 17: Wir mussen aber Orangeade trinken! (The Husband, Female Voice on the Lake, Dejanira, The Beloved of Tomorrow, Soprano, The Lover of Yesterday) by Kurt Weill, Janice Watson, Stephen Richardson, Ashley Holland, Richard Coxon, Timothy Robinson, Jeremy White, Camilla Tilling, BBC Singers, BBC Symphony Orchestra, Andrew Davis has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Royal Palace, Op. 17: Wir mussen aber Orangeade trinken! (The Husband, Female Voice on the Lake, Dejanira, The Beloved of Tomorrow, Soprano, The Lover of Yesterday) being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: 3 Songs, Op. 23: No. 1, Les Berceaux, "Le long du Quai, les grands vaisseaux" (Andante) | Gabriel Fauré, Véronique Gens/Roger Vignoles | C Minor | 0 | 5A | 176 BPM | ||
Winterreise, Op. 89, D. 911: No. 1, Gute Nacht | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | D♭ Minor | 2 | 12A | 94 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
The Long Day Closes | The King's Singers | F Major | 0 | 7B | 107 BPM | ||
Rigoletto, Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Maria Callas, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Major | 1 | 12B | 140 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM |