"Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto" by Kurt Weill, London Sinfonietta, David Atherton was released on January 1, 1976. The duration of Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #5 out of 42 tracks. Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5. Polly's Song: Andante con moto being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mi par d'udir ancora | Georges Bizet, Enrico Caruso | A♭ Minor | 2 | 1A | 70 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
String Quartet in F Major: II. Assez vif, tres rhythme | Maurice Ravel, Cavani Quartet | C Major | 1 | 8B | 148 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Moonlight Serenade | Glenn Miller, Ludwig Orchestra, Barbara Hannigan, Lucienne Renaudin Vary | A♭ Major | 3 | 4B | 72 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
Die Dreigroschenoper: Macheath ist entkommen . . . Als der ägyptische König | Kurt Weill, Rolf Boysen, Mario Adorf, Rias-Sinfonietta Berlin, John Mauceri | B♭ Major | 2 | 6B | 80 BPM |