"Cello Concerto in D Minor: III. Introduction: Andante - Allegro Vivace" by Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz was released on June 18, 2000. Since Cello Concerto in D Minor: III. Introduction: Andante - Allegro Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Édouard Lalo's "Lalo: Cello Concerto in D Minor / Cello Sonata" album is number 3 out of 7. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Cello Concerto in D Minor: III. Introduction: Andante - Allegro Vivace is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto in D Minor: III. Introduction: Andante - Allegro Vivace by Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz to be Vivace (lively and fast) because the track has a tempo of 168 テンポ, a half-time of 84テンポ, and a double-time of 336 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 0 | 9A | 82 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": VI. Adagio maestoso | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
Symphony No. 49 in F Major: I. Allegro spiritoso | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 82 BPM | ||
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 133 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | F♯ Minor | 0 | 11A | 84 BPM | ||
5 Stücke im Volkston (5 Pieces in Folk Style), Op. 102 (version for cello and piano): No. 2. Langsam | Franz Schubert, Maria Kliegel, Kristin Merscher | F Major | 0 | 7B | 80 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | D Minor | 1 | 7A | 75 BPM | ||
Suite for 2 Violins & Piano, Op. 71: III. Lento assai | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | E Minor | 1 | 9A | 103 BPM |