"The Medium, Act I: "the Sun has fallen" (Monica)" by Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak was released on January 1, 2000. The duration of The Medium, Act I: "the Sun has fallen" (Monica) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. The Medium, Act I: "the Sun has fallen" (Monica)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gian Carlo Menotti, Joyce Castle, Patrice Michaels, Chicago Opera Theater Ensemble, Lawrence Rapchak's "Menotti: The Medium" album is number 20 out of 40. The Medium, Act I: "the Sun has fallen" (Monica) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Medium, Act I: "the Sun has fallen" (Monica) by Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Lieder, Op.13: 1. Ich stand in dunklen Träumen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 68 BPM | ||
The Consul, Act I Scene 1: Don't move yet (Magda, Mother, John) | Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Louis Otey, Jacalyn Kreitzer | B♭ Minor | 2 | 3A | 92 BPM | ||
Mass: Gloria: Gloria in Excelsis (Chorus) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | F Major | 0 | 7B | 81 BPM | ||
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | ||
6 Songs from A Shropshire Lad: No. 4. Think no more, lad | George Butterworth, Roderick Williams, Iain Burnside | A♭ Minor | 2 | 1A | 109 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Dir, der Unberührbaren - Du schwebst zu Höhen | Gustav Mahler, Leah Crocetto, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 2 | 12B | 76 BPM | ||
Gounod : Faust : Act 1 "Ah! Paresseuse fille" [Faust, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A Major | 0 | 11B | 113 BPM | ||
Bel piacere | George Frideric Handel, Leontyne Price | F♯ Major | 2 | 2B | 170 BPM |