"Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene)" by Antonio Vivaldi, Sumi Jo, Henk Rubingh, Concertgebouw Chamber Orchestra was released on January 1, 2006. Since Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Sumi Jo - Baroque Journey". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene) by Antonio Vivaldi, Sumi Jo, Henk Rubingh, Concertgebouw Chamber Orchestra having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
Serenata notturna in D Major, K. 239: III. Rondeau (Allegretto - Adagio - Allegro) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
La Traviata: Act I: Sempre libera | Giuseppe Verdi, Fernando Previtali, Rome Opera Orchestra | A♭ Major | 1 | 4B | 178 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Le nozze di Figaro, K. 492: Deh vieni, non tardar | Wolfgang Amadeus Mozart, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | F Major | 0 | 7B | 88 BPM | ||
La Fiera di Venezia / Act 3: Vi sono sposa e amante | Antonio Salieri, Cecilia Bartoli, Rachel Brown, Anthony Robson, Orchestra of the Age of Enlightenment, Ádám Fischer | C Major | 3 | 8B | 130 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 0 | 10B | 91 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM |