"Psalmen Davids sampt etlichen moteten und concerten, Op. 2: No. 15, Jauchzet dem Herren, alle Welt, SWV 36 "Psalm 100"" by Heinrich Schütz, The Cambridge Singers, Mark Williams was released on March 1, 2009. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Sacred Flame". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Psalmen Davids sampt etlichen moteten und concerten, Op. 2: No. 15, Jauchzet dem Herren, alle Welt, SWV 36 "Psalm 100" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalmen Davids sampt etlichen moteten und concerten, Op. 2: No. 15, Jauchzet dem Herren, alle Welt, SWV 36 "Psalm 100" by Heinrich Schütz, The Cambridge Singers, Mark Williams having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fünf Gesänge, Op. 104: II. Nachtwache II | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Minor | 0 | 7A | 86 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Jehova, quam multi sunt hostes mei, Z. 135 | Henry Purcell, Francis Williams, Thomas Lynch, Westminster Kantorei, Daniel Boring, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 89 BPM | ||
Sheppard: Missa Cantate - 3b. Dominus Deus Sabaoth | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 1 | 9B | 91 BPM | ||
Magnificat: VIII. Deposuit potentes | Francisco Guerrero, Núria Rial, Raúl Mallavibarrena | C Minor | 0 | 5A | 71 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Christ ist erstanden, SWV 470 | Heinrich Schütz, Gerlinde Sämann, Stefan Kunath, Georg Poplutz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
11. Aria: So stehet ein Berg Gottes | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | C Major | 2 | 8B | 125 BPM |