Arthur Sullivan, Thomas Round, John Reed, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey made "23. If you go in you're sure to win" available on January 1, 1960. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: Iolanthe" album is number 8 out of 28. 23. If you go in you're sure to win is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 23. If you go in you're sure to win by Arthur Sullivan, Thomas Round, John Reed, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey to be Larghetto (rather broadly) because the track has a tempo of 63 テンポ, a half-time of 32テンポ, and a double-time of 126 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light | Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 145 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | ||
HMS Pinafore: When I Was a Lad | Gordon Sandison, New D'Oyly Carte Opera | C Major | 2 | 8B | 133 BPM | ||
Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
Porgy And Bess: Summertime | George Gershwin, John DeMain | B♭ Major | 0 | 6B | 167 BPM | ||
Bernstein - I hate music!: I hate music! | Leonard Bernstein, Barbara Bonney, Malcolm Martineau | E Minor | 1 | 9A | 77 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Dona Nobis Pacem Cantata: I. Agnus Dei | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, Edith Wiens, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM | ||
Die Fledermaus / Act 2: Finale: "Im Feuerstrom der Reben" | Johann Strauss II, Brigitte Fassbaender, Edita Gruberova, Wolfgang Brendel, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | D Major | 4 | 10B | 140 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM |