"A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light" by Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver was released on January 1, 1994. A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's "Mendelssohn: A Midsummer Night's Dream" album is number 15 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light by Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver to be Allegro (fast, quick, and bright) because the track has a tempo of 145 テンポ, a half-time of 72テンポ, and a double-time of 290 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | ||
Immolation (With Our Lives, We Give Life) | John Williams, Boston Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
Glazunov: Raymonda Suite, Op. 57a : Entracte | Alexander Glazunov, Orchestre Philharmonique de Radio France, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Carnival Overture, Op. 92 - Instrumental | Antonín Dvořák, Boston Symphony Orchestra, Seiji Ozawa | D Major | 2 | 10B | 138 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 2 L'istesso tempo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | F Major | 1 | 7B | 97 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Jascha Heifetz, Charles Münch, Boston Symphony Orchestra | G Major | 0 | 9B | 101 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM |