"Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Arpeggio" by Giovanni Zamboni, Simone Vallerotonda was released on June 10, 2016. With Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Arpeggio being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zamboni: L'ultimo romano. Sonate d'intavolatura di leuto, 1718 by Giovanni Zamboni, Simone Vallerotonda. The song's track number on the album is #1 out of 28 tracks. Based on our statistics, Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Arpeggio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Arpeggio by Giovanni Zamboni, Simone Vallerotonda has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Arpeggio being at 125 テンポ, the half-time would be 62 テンポ with a double-time of 250 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM | ||
Lute Sonata No. 9: II. Alemanda | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 1 | 12A | 92 BPM | ||
Ricercare No. 7 - Balletto - De tous biens pleine - La Spagna: Recercar sesto - Balletto - De tous biens pleine - La Spagna | Vincenzo Capirola, Jakob Lindberg | C Major | 1 | 8B | 107 BPM | ||
Ein Newgeordent Künstlich Lautenbuch, 1536: Ach Lieb Mit Leid, After Paul Hofheimer | Hans Neusidler, Joachim Held | C Major | 0 | 8B | 81 BPM | ||
Suite in G Minor from Ms. Lobkowicz: VII. Canarie | Charles Mouton, Anders Ericson | F♯ Minor | 1 | 11A | 0 BPM | ||
Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prélude | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Pavana II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 115 BPM | ||
Delitiae testudinis Suite No. 13 in E-Flat Major: IV. Sarabanda | Esaias Reusner, Paul Beier | D Major | 0 | 10B | 94 BPM | ||
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM |