Giovanni Zamboni, Luciano Còntini's 'Lute Sonata No. 9: II. Alemanda' came out on April 1, 2014. The duration of Lute Sonata No. 9: II. Alemanda is about 3 minutes long, at 3:11. Based on our data, "Lute Sonata No. 9: II. Alemanda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zamboni: Sonatas for Lute by Giovanni Zamboni, Luciano Còntini. The song's track number on the album is #2 out of 31 tracks. In terms of popularity, Lute Sonata No. 9: II. Alemanda is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lute Sonata No. 9: II. Alemanda by Giovanni Zamboni, Luciano Còntini has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lute Sonata No. 9: II. Alemanda being at 92 テンポ, the half-time would be 46 テンポ with a double-time of 184 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1 in A Major | Christian Zimmermann | A♭ Major | 2 | 4B | 82 BPM | ||
Lute Sonata, Op. 1, No. 7: IV. Saraband: Largo | Giovanni Zamboni, Luciano Còntini | F♯ Major | 0 | 2B | 57 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Caprice de chacone: Caprice de Chaconne | Francesco Corbetta, Pierre Pitzl | B Major | 0 | 1B | 122 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Sonata in G Minor, Op. 1 No. 6: III. Sarabanda | Giovanni Zamboni, Andreas Arend | E Major | 0 | 12B | 82 BPM | ||
Suite in D Minor: II. Tombeau de Mezangeau | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Polonaise in G Minor, BWV Anh. 125 | Carl Philipp Emanuel Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Romanesca o Guardame las Vacas | Alonso Mudarra, Hopkinson Smith | E Minor | 1 | 9A | 113 BPM | ||
Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM |