Johann Sebastian Bach, Evangelina Mascardi made "Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prélude" available on March 18, 2022. The duration of Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prélude is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 28 in Bach: Complete Lute Works by Johann Sebastian Bach, Evangelina Mascardi. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prélude is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prélude by Johann Sebastian Bach, Evangelina Mascardi is Vivace (lively and fast), since this song has a tempo of 175 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 3 | 11A | 92 BPM | ||
Sonata in F Major, Op. 5, No. 4 (version for viola da gamba and basso continuo): III. Vivace | Arcangelo Corelli, Guido Balestracci, Paolo Pandolfo, Luciano Còntini, Gaetano Nasillo, Massimiliano Raschietti | E Major | 2 | 12B | 82 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 17 Choral: "Ich will hier bei dir stehen" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 81 BPM | ||
Toccata | Michelangelo Galilei, Rosemary Hodgson | B♭ Major | 0 | 6B | 99 BPM | ||
Toccatina sopra la ribellione di Ungheria: IV. Sarabande: La sentence | Alessandro Poglietti, Isolde Ahlgrimm | E Minor | 3 | 9A | 67 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | E Minor | 1 | 9A | 86 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Sarabande | Edward Martin and Paul Berget | E Major | 0 | 12B | 143 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM |