"New England Triptych: III. Chester" by William Schuman, United States Marine Band, Jason K. Fettig was released on May 27, 2016. New England Triptych: III. Chester is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 4 out of 15 in Be Glad Then, America by United States Marine Band, Jason K. Fettig. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, New England Triptych: III. Chester's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of New England Triptych: III. Chester by William Schuman, United States Marine Band, Jason K. Fettig is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
Dance Movements: II. Molto Vivo (for the woodwinds) | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 1 | 10B | 114 BPM | ||
English Dances, Set 1, Op. 27 (Arr M. Johnstone): II. Vivace | Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin | F Major | 3 | 7B | 130 BPM | ||
Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Major | 0 | 10B | 86 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): III. Ecce gratum (Behold the Spring) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | F Major | 1 | 7B | 75 BPM | ||
Serenade No. 11, Op. 85: III. Nocturne | Vincent Persichetti, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 0 | 6B | 74 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XI. Auf dem Gletscher. Festes, sehr lebhaftes Zeitmass – un poco maestoso | Richard Strauss, Vasily Petrenko, Oslo Philharmonic Orchestra | B Major | 2 | 1B | 106 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Alleluia! Laudamus te | Alfred Reed, Paul Riedo, Dallas Wind Symphony, Frederick Fennell | B♭ Major | 1 | 6B | 82 BPM |