Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra's 'Montgomery Variations: V. One Sunday in the South' came out on October 13, 2023. The duration of Montgomery Variations: V. One Sunday in the South is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Montgomery Variations: V. One Sunday in the South's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 11 in African American Voices II by Kellen Gray, Royal Scottish National Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Montgomery Variations: V. One Sunday in the South is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Montgomery Variations: V. One Sunday in the South by Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzonetta, Op. 48 posth. | Samuel Barber, Stephane Rancourt, Royal Scottish National Orchestra, Marin Alsop | C Minor | 2 | 5A | 65 BPM | ||
Symphony No. 5 in B Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, Thomas Søndergård, Royal Scottish National Orchestra | G Major | 2 | 9B | 81 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Franck: Symphony in D Minor, FWV 48: III. Allegro non troppo | César Franck, Paavo Berglund, Bournemouth Symphony Orchestra | D♭ Major | 3 | 3B | 91 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Sally in Our Alley | Frank Bridge, English Northern Philharmonia, David Lloyd-Jones | G Major | 1 | 9B | 115 BPM | ||
End Credits - From "The Portrait Of A Lady" | Lynda Cochrane, John Debney, Royal Scottish National Orchestra | G Major | 0 | 9B | 72 BPM | ||
Apollon Musagète, K. 048: V. Variation de Polymnie | Igor Stravinsky, BBC Philharmonic, Andrew Davis | A Minor | 0 | 8A | 97 BPM | ||
Symphony No. 1 "Land of the Free": III. Viral Veil | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM |