"Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante moderato" by Franz Danzi, Eduard Brunner, Klaus Thunemann, Munich Chamber Orchestra, Hans Stadlmair was released on September 4, 2015. The duration of Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante moderato is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 9 in Danzi: Music for Clarinet & Orchestra by Franz Danzi, Eduard Brunner, Hans Stadlmair, Jörg Faerber. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante moderato is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante moderato by Franz Danzi, Eduard Brunner, Klaus Thunemann, Munich Chamber Orchestra, Hans Stadlmair is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Bassoon Concerto in D minor, RV 481: 3. Allegro molto | Antonio Vivaldi, Klaus Thunemann, I Musici | G Major | 1 | 9B | 75 BPM | ||
Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 4. Tempo giusto | Jan Dismas Zelenka, Heinz Holliger, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet | B♭ Major | 4 | 6B | 124 BPM | ||
Quartet in G major / Sol majeur / G-dur: I. Largo - Allegro - Largo | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | F♯ Major | 1 | 2B | 123 BPM | ||
Clarinet Concerto No. 6 in B-Flat Major: I. Allegro moderato | Carl Stamitz, Eduard Brunner, Munich Chamber Orchestra, Hans Stadlmair | B♭ Major | 1 | 6B | 128 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |