Antonio Vivaldi, Klaus Thunemann, I Musici made "Bassoon Concerto in D minor, RV 481: 3. Allegro molto" available on October 15, 1991. The duration of Bassoon Concerto in D minor, RV 481: 3. Allegro molto is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Bassoon Concerto in D minor, RV 481: 3. Allegro molto's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: 6 Bassoon Concertos by Antonio Vivaldi, Klaus Thunemann, I Musici. The song's track number on the album is #12 out of 18 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Bassoon Concerto in D minor, RV 481: 3. Allegro molto is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Bassoon Concerto in D minor, RV 481: 3. Allegro molto by Antonio Vivaldi, Klaus Thunemann, I Musici has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Bassoon Concerto in D minor, RV 481: 3. Allegro molto being at 75 テンポ, the half-time would be 38 テンポ with a double-time of 150 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto In A Minor For 2 Violins, Strings, And Continuo, RV 523: 3. Allegro | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | A Minor | 3 | 8A | 133 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM |