Giovanni Mossi, Simon Standage, Collegium Musicum 90 made "Concerto Grosso in G Minor, Op. 4 No. 12: II. Allegro" available on May 1, 2017. The duration of Concerto Grosso in G Minor, Op. 4 No. 12: II. Allegro is about 3 minutes long, at 3:22. Based on our data, "Concerto Grosso in G Minor, Op. 4 No. 12: II. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Simon Standage, Collegium Musicum 90's "Maestro Corelli's Violins" album is number 23 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Concerto Grosso in G Minor, Op. 4 No. 12: II. Allegro is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concerto Grosso in G Minor, Op. 4 No. 12: II. Allegro by Giovanni Mossi, Simon Standage, Collegium Musicum 90 to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: II. Air | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Partita for Violin and Lute in G Minor, BWV 997r: V. Double | Johann Sebastian Bach, Combattimento | D Minor | 5 | 7A | 95 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: IV. Lento e amoroso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | F♯ Minor | 0 | 11A | 101 BPM | ||
Sinfonia a quattro No. 2 in A Major, SF C777: II. Largo | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: V. Sarabande en rondeau | Marin Marais, Ensemble Amalia | C Major | 3 | 8B | 70 BPM |