"Sonata No. 17 for Three Cellos in G Minor: IV. Lento e amoroso" by Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella was released on June 24, 2022. With Sonata No. 17 for Three Cellos in G Minor: IV. Lento e amoroso being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 32 in Del Cinque: Sonatas for Three Cellos by Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Sonata No. 17 for Three Cellos in G Minor: IV. Lento e amoroso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 17 for Three Cellos in G Minor: IV. Lento e amoroso by Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canonic Duo No. 4 in D Minor: Piacevole, Non Largo | Georg Philipp Telemann, Angèle Dubeau | B Minor | 0 | 10A | 163 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
Sonata No. 15 for Three Cellos in C Major: I. Adagio | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda | C Minor | 1 | 5A | 72 BPM | ||
Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: III. Adagio | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | D♭ Major | 3 | 3B | 130 BPM | ||
Sinfonia a quattro No. 1 in B-Flat Major, SF C781: II. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 3 | 2B | 76 BPM | ||
Partie 4 en mi mineur: Ciacona | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | E♭ Minor | 3 | 2A | 113 BPM | ||
Sonata No. 4 in B Flat Major: XVII. 17 3. Grave | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Sinphonia No. 6 for Strings & Continuo in E-Flat Major, Op. 1.12: I. Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E♭ Major | 2 | 5B | 105 BPM |