Eric Schmidt, Jonathan Rosenberg made "Kapitel 45.4 & Kapitel 46 & Kapitel 47.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 45.4 & Kapitel 46 & Kapitel 47.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:12. Based on our data, "Kapitel 45.4 & Kapitel 46 & Kapitel 47.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #63 out of 137 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Kapitel 45.4 & Kapitel 46 & Kapitel 47.1 - Wie Google tickt - How Google Works's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 45.4 & Kapitel 46 & Kapitel 47.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kapitel 45.4 & Kapitel 46 & Kapitel 47.1 - Wie Google tickt - How Google Works being at 127 テンポ, the half-time would be 64 テンポ with a double-time of 254 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
Elijah, Op. 70: "The Shall Your Light Shine Forth" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | B♭ Major | 0 | 6B | 172 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
Suor Angelica: Senza Mamma | Giacomo Puccini, Miriam Gauci, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | G Major | 3 | 9B | 92 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Tannhäuser: Pilgerchor | Chor der Staatsoper Budapest, Orchester der Staatsoper Budapest, Josif Canta | E♭ Major | 2 | 5B | 118 BPM | ||
Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Nr. 1 Chor: Aus dem Keller kommt hervor | Jacques Offenbach, Jules Barbier, Michel Carre, Pierre Barbier, Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra | F Major | 2 | 7B | 167 BPM |