Jacques Offenbach, Jules Barbier, Michel Carre, Pierre Barbier, Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra's 'Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Nr. 1 Chor: Aus dem Keller kommt hervor' came out on March 11, 2013. With Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Nr. 1 Chor: Aus dem Keller kommt hervor being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Offenbach: Hoffmanns Erzählungen [Sung in German]". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. The popularity of Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Nr. 1 Chor: Aus dem Keller kommt hervor is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Nr. 1 Chor: Aus dem Keller kommt hervor by Jacques Offenbach, Jules Barbier, Michel Carre, Pierre Barbier, Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra having a テンポ of 167 with a half-time of 84 テンポ and a double-time of 334 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 1: "Täubchen, das entflattert ist" | Johann Strauss II, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 65 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
Die lustige Witwe / Act I: "Also, lieber Graf.." - "Damenwahl! Hört man rufen rings im Saal!" | Franz Lehár, Cheryl Studer, Boje Skovhus, Karl Magnus Fredriksson, Uwe Peper, Barbara Bonney, Rainer Trost, Wiener Philharmoniker, John Eliot Gardiner, Wiener Tschuschenkapelle, The Monteverdi Choir | G Major | 2 | 9B | 119 BPM | ||
La fille du régiment / Act 2: "Tous les trois réunis, quel plaisir mes amis!" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Le Comte Ory / Act 1: "Ciel! - O terreur, ô peine extrê" | Gioachino Rossini, Stefania Bonfadelli, Marie-Ange Todorovitch, Rosella Bevacqua, Marina de Liso, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Les Contes d'Hoffmann / Act 2: Entr'acte | Jacques Offenbach, Orchestre National De France, Seiji Ozawa | E Major | 3 | 12B | 114 BPM | ||
Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
Undine: Undine, Act II: So wiss, dass in allen Elementen | Albert Lortzing, Lucia Popp, Munich Radio Orchestra, Hans Zanotelli | F Major | 1 | 7B | 83 BPM | ||
Puccini : La bohème : Act 3 "Donde lieta uscì" [Mimì] | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra, James Conlon, Orchestre National De France | D♭ Major | 0 | 3B | 87 BPM |