"Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten"" by Felix Mendelssohn, Melanie Diener, Philippe Herreweghe was released on 1996. The duration of Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" is about 3 minutes long, at 3:04. Based on our data, "Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Paulus" album is number 7 out of 45. On top of that, France appears to be the country where this track was created. Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" by Felix Mendelssohn, Melanie Diener, Philippe Herreweghe to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge | D♭ Minor | 1 | 12A | 96 BPM | ||
Der Tod und das Mädchen, D. 531 (Op.7/3) | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM | ||
Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 173 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. "Awake the Harp" (Chorus) | Joseph Haydn, Sir Simon Rattle, City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Paulus: I. Teil: Nr. 3 Rezitativ SB "Die Menge der Gläubigen" | Felix Mendelssohn, Matthias Goerne, Melanie Diener, Philippe Herreweghe | E Major | 2 | 12B | 143 BPM | ||
Grande Messe des Morts: X. Sequentia: Quid sum miser - Lento | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Major | 0 | 7B | 75 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM |