"The Tempest, Act 1, Scene II: What you hvae told me" by Thomas Adès, William Shakespeare was released on June 8, 2009. The duration of The Tempest, Act 1, Scene II: What you hvae told me is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. The Tempest, Act 1, Scene II: What you hvae told me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Thomas Ades: The Tempest". In this album, this song's track order is #4. The Tempest, Act 1, Scene II: What you hvae told me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Tempest, Act 1, Scene II: What you hvae told me by Thomas Adès, William Shakespeare having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bénis | Char, Joe Lucazz, Dinos, L'Indis, Nakk, Thomas Adès | D♭ Major | 6 | 3B | 86 BPM | ||
The Sound of Trees: Apaisé, boisé | Camille Pépin, Orchestre De Picardie, Arie Van Beek, Julien Hervé, Yan Levionnois | A Minor | 2 | 8A | 138 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 93 BPM | ||
‘Piano Sonata’ 1. X. 1905, From The Street: Foreboding | Leoš Janáček, Thomas Adès | E♭ Minor | 2 | 2A | 89 BPM |