"Arcadiana, Op. 12: VI. O Albion" by Thomas Adès, Signum Quartet was released on April 7, 2015. The duration of Arcadiana, Op. 12: VI. O Albion is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Arcadiana, Op. 12: VI. O Albion's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sound Escapes". In this album, this song's track order is #10. Arcadiana, Op. 12: VI. O Albion is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arcadiana, Op. 12: VI. O Albion by Thomas Adès, Signum Quartet having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | ||
Wasserklavier | Luciano Berio, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 134 BPM | ||
Enfantillages pittoresques: II. Berceuse | Erik Satie, Cristina Ariagno | A Minor | 0 | 8A | 127 BPM | ||
3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | ||
Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
On an Overgrown Path, Series I: Good Night! | Leoš Janáček, Thomas Adès | E Minor | 0 | 9A | 140 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
...quasi una fantasia..., Op. 27/1: Introduzione | György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw | D♭ Major | 0 | 3B | 0 BPM | ||
Ins stille Land, D. 403 (Arr. X. van Dijk for String Quartet) | Franz Schubert, Signum Quartet | D Minor | 1 | 7A | 93 BPM |