"Dans l'ombre de la montagne: IV. Vieille Eglise" by Guy Ropartz, Stephanie McCallum was released on January 1, 2016. With this song being about 5 minutes long, at 5:08, "Dans l'ombre de la montagne: IV. Vieille Eglise" by Guy Ropartz, Stephanie McCallum is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Ropartz: Piano Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Dans l'ombre de la montagne: IV. Vieille Eglise is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dans l'ombre de la montagne: IV. Vieille Eglise by Guy Ropartz, Stephanie McCallum having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Vaughan Williams: Tuba Concerto in F Minor: II. Romanza. Andante sostenuto | Ralph Vaughan Williams, Perry Hoogendijk, Royal Concertgebouw Orchestra, Dima Slobodeniouk | G Major | 1 | 9B | 131 BPM | ||
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Piece for Trombone and Piano in E-Flat Minor. Lento - Allegro | Guy Ropartz, Jörgen Van Rijen, Alla Libo | F Major | 1 | 7B | 134 BPM | ||
Spazi Vuoti | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 168 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM |