"Lyric Pieces, Book 4, Op. 47: No. 3. Melody (arr. A. Segovia)" by Andrés Segovia, Edvard Grieg was released on 1954. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "The Golden Years of Andres Segovia (1952-1954)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Lyric Pieces, Book 4, Op. 47: No. 3. Melody (arr. A. Segovia) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lyric Pieces, Book 4, Op. 47: No. 3. Melody (arr. A. Segovia) by Andrés Segovia, Edvard Grieg having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro | Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet | A Major | 1 | 11B | 62 BPM | ||
Capricho arabe | Francisco Tárrega, Andrés Segovia | F Major | 1 | 7B | 126 BPM | ||
Suite Compostelana: 3. Cuna | Federico Mompou, Andrés Segovia | A Major | 3 | 11B | 88 BPM | ||
Prelude BWV 1006 | Johann Sebastian Bach, Andrés Segovia | A Major | 3 | 11B | 172 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
8 Lessons for the Guitar: No. 2 in A minor | Dionisio Aguado, Andrés Segovia | A Minor | 2 | 8A | 134 BPM | ||
Lute music - Spain: Fantasía que contrahaze la harpa en la manera de Lud. | Alonso Mudarra, Göran Söllscher | F Major | 2 | 7B | 103 BPM | ||
24 Preludes, Op. 28: No. 6 in B Minor (Arr. M. Llobet Soles for Guitar) | Frédéric Chopin, Stefano Grondona | C Major | 2 | 8B | 155 BPM | ||
Adieu mes Amours | Josquin des Prez, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 73 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM |