"Tantum ergo, Op. 65, No. 2" by Gabriel Fauré, Ruth Holton, Nicola-Jane Kemp, Melanie Marshall, The Cambridge Singers, John Scott, John Rutter was released on April 1, 2010. The duration of Tantum ergo, Op. 65, No. 2 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Tantum ergo, Op. 65, No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 16 in Faure: Requiem - Messe basse by Gabriel Fauré, The Cambridge Singers, John Rutter. Tantum ergo, Op. 65, No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tantum ergo, Op. 65, No. 2 by Gabriel Fauré, Ruth Holton, Nicola-Jane Kemp, Melanie Marshall, The Cambridge Singers, John Scott, John Rutter is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Izhe Kheruvimi (Cherubic Hymn): No. 7. — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 0 | 10B | 57 BPM | ||
Sunrise Mass: Kyrie "The Spheres" | Ola Gjeilo, Westminster Williamson Voices, James Jordan | D♭ Minor | 0 | 12A | 82 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Die Nacht, Op. 17, No. 4, D. 983c | Franz Schubert, Orphei Drängar, Robert Sund | A Major | 0 | 11B | 82 BPM | ||
All-night Vigil, Op. 37, "Vespers": Beginning song: Come let us worship | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 81 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Nacket bin ich | Heinrich Schütz, Vox Luminis, Lionel Meunier | E Minor | 0 | 9A | 115 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Oxford Schola Cantorum, Colm Carey, Jeremy Summerly | D♭ Major | 0 | 3B | 68 BPM | ||
Dixit and Magnificat, K. 193: I. Dixit | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 1 | 8B | 113 BPM |