"Die Nacht, Op. 17, No. 4, D. 983c" by Franz Schubert, Orphei Drängar, Robert Sund was released on May 1, 2000. The duration of Die Nacht, Op. 17, No. 4, D. 983c is about 3 minutes long, at 3:12. Based on our data, "Die Nacht, Op. 17, No. 4, D. 983c" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Schubert: Male Choruses". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. Die Nacht, Op. 17, No. 4, D. 983c is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Nacht, Op. 17, No. 4, D. 983c by Franz Schubert, Orphei Drängar, Robert Sund having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie, Les Violins du Roy | G Major | 0 | 9B | 213 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |