Niccolò Paganini, Roberto Pasquini made "24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini" available on February 23, 2024. The duration of 24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini is about 3 minutes long, at 3:19. Based on our data, "24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Nicolò Paganini: 24 Caprices Op. 1 for Unaccompanied Flute (Transcription by Roberto Pasquini)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Italy. 24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini by Niccolò Paganini, Roberto Pasquini having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
La ronde des lutins, Op. 25 | Antonio Bazzini, Itzhak Perlman, David Garvey | E Minor | 4 | 9A | 100 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | ||
Polonaise de Concert in D, Op. 4 | Henryk Wieniawski, Nikolaj Znaider | D Major | 2 | 10B | 178 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Violin Sonata in G Minor, B. g5 "Devil's Trill Sonata": IV. Allegro assai - Andante - Allegro assai | Giuseppe Tartini, Camerata Orphica, Mario Hossen | D Major | 1 | 10B | 152 BPM | ||
Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM |