On 1966, the song "La ronde des lutins, Op. 25" was released by Antonio Bazzini, Itzhak Perlman, David Garvey. With this song being about 5 minutes long, at 4:38, "La ronde des lutins, Op. 25" by Antonio Bazzini, Itzhak Perlman, David Garvey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The Essential Itzhak Perlman". In this album, this song's track order is #13. In terms of popularity, La ronde des lutins, Op. 25 is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With La ronde des lutins, Op. 25 by Antonio Bazzini, Itzhak Perlman, David Garvey having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM | ||
Rachmaninov: 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. for Violin and Piano) | Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | B♭ Major | 0 | 6B | 101 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" | Sergei Rachmaninoff, Simon Trpčeski | D♭ Minor | 0 | 12A | 85 BPM | ||
The Color Purple: Main Title | Quincy Jones, Rod Temperton, Jeremy Lubbock, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 107 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Theme (From "Far and Away") | John Williams, Itzhak Perlman, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 89 BPM |