"Violin Sonata in G Minor, B. g5 "Devil's Trill Sonata": IV. Allegro assai - Andante - Allegro assai" by Giuseppe Tartini, Camerata Orphica, Mario Hossen was released on January 1, 2014. The duration of Violin Sonata in G Minor, B. g5 "Devil's Trill Sonata": IV. Allegro assai - Andante - Allegro assai is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Violin Sonata in G Minor, B. g5 "Devil's Trill Sonata": IV. Allegro assai - Andante - Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario Hossen, Camerata Orphica's "Geminiani: La folia - Tartini: Devil's Trill & Vivaldi: The Four Seasons" album is number 5 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Violin Sonata in G Minor, B. g5 "Devil's Trill Sonata": IV. Allegro assai - Andante - Allegro assai's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Sonata in G Minor, B. g5 "Devil's Trill Sonata": IV. Allegro assai - Andante - Allegro assai by Giuseppe Tartini, Camerata Orphica, Mario Hossen to be Allegro (fast, quick, and bright) because the track has a tempo of 152 テンポ, a half-time of 76テンポ, and a double-time of 304 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 153 BPM | ||
Violin Concerto in C Major, D12 | Giuseppe Tartini, Gordan Nikolitch, Arie Van Beek, Orchestre d'Auvergne | G Major | 0 | 9B | 97 BPM | ||
Liebeslied | Fritz Kreisler, Julia Krasko, Olga Kondratieva | A Major | 0 | 11B | 136 BPM | ||
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
L'arte del arco: Variations 10 and 20 | Giuseppe Tartini, Andrew Manze | E Major | 0 | 12B | 77 BPM | ||
Sonata for Violin and Continuo in G minor, B. g5 - "Il trillo del diavolo": 1. Larghetto affettuoso | Giuseppe Tartini, Arthur Grumiaux, Riccardo Castagnone | G Minor | 2 | 6A | 101 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: III. Var. II. Allegro non Troppo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | G Major | 1 | 9B | 148 BPM | ||
Violin Concerto in A Minor, BWV 1041: I. Allegro | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Minor | 3 | 8A | 106 BPM |