"Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat" by Giovanni Battista Pergolesi, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset was released on February 28, 2020. The duration of Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat by Giovanni Battista Pergolesi, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset having a テンポ of 58 with a half-time of 29 テンポ and a double-time of 116 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Davide penitente, K. 469: Alzai le flebili voci al Signor (Chorus, Soprano 1) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | A Minor | 1 | 8A | 169 BPM | ||
L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria | Antonio Vivaldi, Sonia Prina, Concerto Italiano, Rinaldo Alessandrini | B Minor | 0 | 10A | 111 BPM | ||
Tito Manlio, RV 738: No che non vedrà Roma | Antonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Le Pouvoir de l'Amour, Première entrée Scène 7: Mouvement de passacaille | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | B♭ Minor | 2 | 3A | 135 BPM | ||
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Les Troqueurs, Scène 4 - 5: Air "Ah! qu'il me tarde de te voir" (Margot) - "Va, va, j'épouserais morbleu..." (Lucas) | Antoine Dauvergne, Cappella Coloniensis, Jean-Marc Salzmann, Mary Saint-Palais, William Christie | E Minor | 2 | 9A | 71 BPM | ||
La vestale, Act I: Air et Chœur. Licinius, je vais donc te revoir | Gaspare Spontini, Marina Rebeka, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | D Major | 3 | 10B | 179 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
La vestale, Act I: Chœur. La paix est en ce jour le prix de vos conquêtes | Gaspare Spontini, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM |