"L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria" by Antonio Vivaldi, Sonia Prina, Concerto Italiano, Rinaldo Alessandrini was released on January 1, 2007. The duration of L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: L'olimpiade by Antonio Vivaldi, Sara Mingardo, Laura Giornado, Riccardo Novaro. The song's track number on the album is #6 out of 17 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria by Antonio Vivaldi, Sonia Prina, Concerto Italiano, Rinaldo Alessandrini has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With L'olimpiade, RV 725: È troppo spietato il barbaro fato. Aristea, aria being at 111 テンポ, the half-time would be 56 テンポ with a double-time of 222 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM | ||
Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM |