"Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas)" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich was released on January 1, 1996. The duration of Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas) is about 3 minutes long, at 3:18. Based on our data, "Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Tchaikovsky: Ballet Suites". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. The popularity of Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas) by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich having a テンポ of 162 with a half-time of 81 テンポ and a double-time of 324 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 0 | 12B | 117 BPM | ||
Quintettino Op.30 No.6, G.324: 3. Largo assai, senza rigor di Battuta | Luigi Boccherini, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 137 BPM | ||
Pines Of Rome, P. 141: 2. The Pines Near A Catacomb | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 79 BPM | ||
The Nutcracker (Suite), Op. 71a, TH 35: 2b. Dance of the Sugar-Plum Fairy. Andante ma non troppo | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 90 BPM | ||
Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | E♭ Major | 0 | 5B | 118 BPM | ||
O Tannenbaum | Vince Guaraldi Trio | F Major | 2 | 7B | 123 BPM | ||
String Quintet In C, D. 956: 4. Allegretto | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | G Major | 1 | 9B | 97 BPM | ||
Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 58 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
The Nutcracker, Op. 71 (Arr. M. Pletnev for Piano): VII. Pas de deux | Mikhail Pletnev, Pyotr Ilyich Tchaikovsky, Gianluca Luisi | G Major | 1 | 9B | 79 BPM |